When
Angels Cry Blood
by Sophs Holdsworth
A Diane Lloyd story.
She's sitting on her bed, blankets and pillows and pink stuffed animals
surrounding her and she's crying; sobbing; weeping (if you didnt
know better, she could be three years old). There's a laptop computer
across her thighs as she rapidly hits keys, clinging to an old e-mail
from Steve, and she knows and she fears and she's begging that that
e-mail is the only bit of him left in her life, she's begging that
if she closes her eyes and presses delete then the e-mail will be
gone, as will what's growing inside her, as will the memory. Yet oh
how she loves the words, simple yet short, but the feel, the emotion,
yet she knows her feelings for Steve, for Ric, for anyone, are limited
by everyone else's beauty. If she was taken out of this life then
she would glow, but amongst all these stars, people with their immaculately
planned out lives with their perfect routine that Danny used to make
a mockery out. Amongst all these stars, she's dimmed; a butterfly
with plucked off wings.
And
she leafs through a copy of Heat! magazine, reading into other people's
lives as if they were her own and she makes up stories of what could
have happened, stories where she's working at St. Phillips with
Ric, with a six figure pay check, and they're married and they're
happy...and she makes up stories in her head to keep her immune
to the emptiness, and keep her immune to what she knows and dreads
is happening. The tears on her cheeks don't fade and she's envious
of everyone, she's even envious of Chrissie. She longs to be what
they are, she longs to say what they say but somehow she cannot.
Yet all those people cry the same tears and bleed the same blood,
and hide from the same truths and wear the same masks.
And
she cries because she's never been loved, really, truly, passionately
"til death do us part" although she knows she's had the
opportunity. And she cries because the phone's not ringing reminding
her of how lonely she is, and because she wants more than anything
to be in Ric's arms and for him to stop hiding his feelings behind
wise-crack jokes and bad clichéd eddicts and "what we
had was in the past." And she cries because she still remembers
that night, and she still has the internal bruises and she remembers
how embarrassed, ugly, revealed she'd felt in the police cell. And
Chris, her colleague and friend, had broken her over and over again
and she'd let him, not knowing exactly what was going on, too blind
to see it. And she hates him. She hates him because he made her
weak. She hates him because he violated her And she hates him because
he is the worst thing that has ever happened and the ugliest part
of her.
And
she remembers that night she ended up in St. Phillip's ED, smashing
the mirror with a bruised fist and she dreamt of lipstick laced
with toxic cynadie "Lord, let me have rest." It's labelled
by doctors as shock from the attack, everyone knowing full-well
what happened and desperately trying to understand why this bright,
attractive medical student wouldn't admit that she'd been raped.
And she wonders if the doctors had ever felt this lonely and this
empty and this sad. But of course the doctors are right, the doctors
are ALWAYS right, we, we're always right. They read the books and
raised their hands in class, and they studied lab rats and patients
and therefore doctors have the right to play God when they know
nothing but other people's biased experiences and she remembers
that if it wasn't for Ric, she would have dropped it all at the
first hurdle.
She
laughs at her patients, at the hospitals, wondering how they expect
to change anything. She swallows those pills they'd prescribed but
knows they won't help. And she listens to their advice and walks
out feeling just as empty as she did walking in. She's heartbroken
and lonely and she has a hundred things to say but her throat is
rough and her eyes are tired. She wants to kill away the pain and
let the world dissolve away. And oh, how she's still in love with
Ric. Falling deeper and deeper with every breath. Fingertips tingle
with memories and she is surrounded by what ifs and could-have-beens.
"You are everything to me" and she believes every word,
every suffocating word. And how she wants to tell him, how she wants
him to prove that he still cares, and how she wants him to hold
her hand and tell her that it's all a lie and that she's not really
pregnant with Steve's child and how she's 18 and care-free and still
in love.
Yet
her nail polish is chipped and her hair is a mess and her eyeliner
is smudged all down her cheeks, deep long mascara lines painted
across her face. She spends hours in the bathroom, but looks no
better then when her hair is drenched from rain and her make up's
washed off. She is attempting to become painstakenly perfect even
though she knows it's so far from possible.
And
at the end of the day there is emptiness, aching emptiness, longing
to be filled; confusion muddling her mind; and pain too deep to
ever go away. But she closes her eyes and shes in Rics
arms, and just for one second one blissful second
everythings okay.
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